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Swedish guitar shredder Yngwie Malmsteen to headline a night of fretboard mayhem at Ace of Spades on Sept. 7  

When Yngwie Malmsteen first came onto the scene in the early 1980s, playing for both Steeler and Alcatrazz, it was already apparent who the real star was in either line-up. And although his tenure with the latter culminated in a highly publicized onstage fight with singer Graham Bonnet, no guitarist since could match the unbridled ferocity found on Alcatrazz’ “No Parole From Rock ‘N’ Roll.” Malmsteen’s prowess will be on display at Sacramento’s Ace of Spades on Sept. 7.

Since branching out on his own, the ever-so-prolific guitarist has released 22 records and four well-received live albums. Combining elements of classical music, heavy metal and hard rock, Malmsteen’s sound is uniquely his own. Aped by thousands, but never duplicated, he’s influenced countless genres that include thrash, power and speed metal.

Although Malmsteen is currently on tour with the legendary Deep Purple vocalist/bassist Glenn Hughes, this off-cycle, upcoming show at Ace of Spades finds him headlining with only local support in tow. And if his recent set lists are any indication, Malmsteen will be doing fan favorites as well as some special covers enhanced by his trademark picking technique.

Fans of Yngwie Malmsteen typically recommend his first four albums as a place to start for those wanting to explore the music. If “Rising Force” or “Marching Out” don’t make your hair stand on, perhaps it’s time to get your pulse checked.

Tickets are $32.50 advance can be purchased at www.aceofspades.com. Doors open at 6:30pm and the show starts at 7:30pm. All ages are welcome. Ace of Spades is located at 1417 R Street in downtown Sacramento.

(SN&R)

Melvins celebrate 40 years of doing whatever the hell they want.

Photo by Chris Casella

Melvins have been flying the flag of experimental and sludge rock and, consequently, have released 26 full-lengths albums. Additionally, they’ve released countless EPs and live and compilation records.

At its core, Melvins is Buzz Osborne (guitar and vocals) and Dale Crover (drums), along with a seemingly never-ending slew of bass players. Redd Kross bassist, Steven Shane McDonald, has been with the band for eight years and will, hopefully, soon outlast all his predecessors.

The band’s current U.S. tour with Japanese noise merchants, Boris, is dubbed the “Twins of Evil Tour.” The current run of shows finds Melvins playing their 1991 ‘Bullhead’ record in its entirety, among other surprises from its massive catalog. Similarly, Boris plays their 2002 release, “Heavy Rocks,” in full. The seven-week tour commences on August 24th in Los Angeles and closes out on October 14th in San Diego.

Could anyone have predicted that Boris and the Melvins would tour the entire USA together? Since the mid-1980s, the Melvins have had an enormous influence on artists of all genres, not only limited to heavy music, and have brought forth a surge of faithful followers over the years.

Needless to say, Boris is just one of these many bands influenced by the mighty Melvins, and we took our name from a song title off of the 1991 album, ‘Bullhead,’ said Boris’ Takeshi about the obvious ties between the two bands.

For the uninitiated, Melvins earned their fanbase through college radio, word-of-mouth, and constant touring. Likewise, they’ve released albums on such disparate record labels as Boner, Alchemy, C/Z, Alternative Tentacles, Slap-A-Ham, Man’s Ruin, Ipecac, and Atlantic. Their latest album, “Bad Moon Rising,” was released on indie Amphetamine Reptile, which have had a long history with the band.

Perhaps one of the band’s strangest periods was their Atlantic records years, which saw the band reap the benefits of being name-dropped by close friend Kurt Cobain. After playing countless shows supporting Nirvana, they released three WEA-distributed records — “Houdini,” “Stoner Witch,” and “Stag.” Even though they had elements of “grunge,” Melvins’ already impossible-to-pigeonhole sound eventually worked against them and they were subsequently dropped from their only major label deal.

Melvins and Boris, along with opener Mr. Phylzzz, perform Tuesday, August 29 at The Mystic Theatre, 23 Petaluma Blvd. North, Petaluma. 

Doors open at 7 pm and the all-ages show kicks off at 8 pm. Tickets are $35 in advance and $40 the day of the show and can be purchased at mystictheatre.com. Come witness the magic of two bands who defy the laws of musical composition.

(North Bay Bohemian)

Louisiana’s BeauSoleil avec Michael Doucet brings distinctive flavors to Sacramento’s Sofia Theater on Aug. 21

Once a staple of the sadly defunct Palms Playhouse venues in Davis and Winters – not to mention a hit at Harlow’s – BeauSoleil avec Michael Doucet keeps proving that his group has a formidable following around any stage in the area.

Led by 72-year-old bandleader and fiddler extraordinaire Michael Doucet, the Grammy award-winning Beausoleil group has been releasing records going back to 1975 on such disparate record labels as Arhoolie, Rounder, Vanguard, Yep Roc, Rhino, Hemisphere, Compass, Swallow and Music of The World.

Besides winning numerous accolades from both press and distinguished music associations, the band has a potent live show to back it up. And while their latest record, ‘From Bamako to Carencro,’ was released ten years ago, there is no shortage of great material for the group to draw from. Their infectious blend of Zydeco, Cajun, and Creole works magically with their musical roots in calypso, blues, rock and roll and more.

For a Monday night in downtown Sacramento, music fans really can’t go wrong taking this Southeastern trip down memory lane.

Tickets are $35 and can be purchased at https://bstreettheatre.org. The Sofia is located at 2700 Capitol Avenue in downtown Sacramento. Doors open at 6pm for this all ages show which starts at 7 p.m.

(SN&R)

Seattle’s Fleet Foxes with My Morning Jacket in support of new release 

Photo by Shervin Laine

Although bandleader Robin Pecknold has been flying the flag of soaring indie rock under the Fleet Foxes moniker for 16 years, the group-turned-collective has, to date, only released four full-length albums. 

Their latest, “Shore,” was recorded before and during the pandemic and finally saw the light of day in September 2020. In many ways, it signaled Pecknold’s need to control his surroundings when, in fact, everything around him was falling apart. And while he recorded with a cast of guests rather than using his core band, the result was what he called a celebration of “life in the face of death.”

Standout tracks like the highly infectious “Can I Believe In You?” and “Sunblind” take the listener on a sonic journey filled with highs and lows and are as reflective as they are forward-thinking. 

The 15-track opus is laden with personal anecdotes as much as it raises life questions all in the wake of Pecknold’s self-imposed time constraints. On other songs like “Featherweight” and the beautifully arranged “Maestranza,” fans are treated to a newer, more emboldened Fleet Foxes with an awkward, personalized video to accompany the full album play-through on YouTube. 

For those fans expecting a repeat of their 2017 record, “Crack-Up,” the newest album may be a head-scratcher. However, upon further inspection, “Shore” is their most complete collection of songs with a running order that compliments the songs as a larger part of something bigger than Pecknold ever expected. 

At times the listener may feel as if they are drowning, and at others, it may feel as if the surface is equally unsettling. Whether or not that was Robin’s intent, “Shore” is an all-inclusive experience meant to be enjoyed as a whole. For those with an open ear and mind, the record will please on multiple fronts. 

For those Fleet Foxes fans who’ve never heard Louisville, Kentucky’s My Morning Jacket, you’re in for real treat. Fronted by bandleader/vocalist/guitarist Jim James, this quintet released its latest self-titled record in October 2021. Although considered more of a jam band that dabbles in psychedelic rock and country, the pairing couldn’t work better. My Morning Jacket co-headlines both of the Fleet Foxes’ Bay Area appearances.

The Fleet Foxes perform at 7 pm, Friday, August 18 and Saturday, August 19 (sold out) at The Greek Theatre, 2001 Gayley Rd., Berkeley (on the campus of the University of California, Berkeley).Tickets are $69.50 and can be purchased at https://thegreekberkeley.com.

(North Bay Bohemian)

Duran Duran hits Sacramento’s Golden 1 Center on its ‘The Future Past Tour’ Aug. 24

Now 15 albums into a 45-year career, the U.K.’s Duran Duran has defied the odds by consistently growing a new fanbase while retaining its voracious, hardcore followers.

Propelled by mega-hits that include “Rio,” “Hungry Like the Wolf,” “Come Undone,” “Save A Prayer” and “Ordinary World,” the members of Duran Duran maintain recognition across the world. Yet, when they take the stage, there’s no shortage of lesser-known gems from their back catalog to please the most-rabid of fans.

‘Future Past’ is the band’s latest release on BMG / Tape Modern records and was produced by industry heavyweights Mark Ronson, Giorgio Moroder and Erol Alkan, along with members of the group itself.

“Many of the songs are about emotional crises, or long-term intimacy issues, let’s call them” bassist John Taylor has said of the collection. “When we came back after lockdown, I felt that those lyrics, particularly ‘Invisible,’ spoke to the moment, because the last 18 months have really been about intimacy politics.”

Today, the touring band features Duran Duran staples Nick Rhodes on keyboards and synthesizers, Simon Le Bon on lead vocals, John Taylor on bass and Roger Taylor on drums and percussion. Dominic Brown has been filling in on guitar for the ailing Andy Taylor.

This long-awaited dance party at the Golden 1 Center will be kicked off with performances from Bastille and Nile Rodgers’ Chic. Doors for this all-age show open at 6 p.m. and the shows starts at 7 p.m. Tickets are available at www.golden1center.com for as little as $45.95 with the best floor seats selling for $288. The Golden 1 Center is located at 500 David J Stern Walk in Downtown Sacramento.

(SN&R)

Indie lo-fi dream pop merchants, Beach Fossils, play Sacramento on Aug. 15

Photograph by Christopher Petrus

It’s been 14 years since this Brooklyn-based quartet formed; and while it only took a year to release its self-titled album on the boutique label Captured Tracks, the group has since taken its time releasing singles, an EP and four full-length albums. That cumulative work has a led to a fanbase in Sacramento that can see Beach Fossils play on Aug. 15.  

“Bunny” is the band’s latest album on Bayonet Records. It recalls the dreamy vibe of early Beach Boys, and other shoegaze greats, yet doesn’t sound dated or derivative at all. Standout tracks like “Anything is Anything” take the listener on a heady, sonic journey and move at a slow, methodical pace into an inevitable close.

Beach Fossils’ pastel pop has grabbed them a loyal following. It’s also landed the group spots on many coveted festivals. Tracks like “Feel So High” continue to show why they’re a headliner when touring, while their first single and video “Don’t Fade Away” reflects on artists who still have a lot of gas left in their ethereal tank.

Today, the band includes lead vocalist and guitarist Dustin Payseur, guitarist Tommy Davidson, bassist Jack Doyle Smith and drummer Anton Hochheim. Beach Fossils’ upcoming show at the Toyota Amphitheatre includes rapper Post Malone, who’s on his ‘If Y’all Weren’t Here, I’d Be Crying’ tour. Lawn seats are $100 while standing room Pit tickets are a whopping $549.50 and can be purchased at www.livenation.com. Doors open at 7pm and show starts at 8pm. All ages are welcome. The Toyota Amphitheatre is located at 2677 Forty Mile Road in Wheatland.

(SN&R)

Blues guitar sensation Chris Duarte hits Old Ironsides in Sacramento on Aug. 19

Although blues aficionados might expect to see Chris Duarte taking the stage at Harlow’s or The Sofia, the talent-buyers at Old Ironsides are out to make sure their historic stage has the same caliber of musicianship; and lately they’ve also been including nearly every genre sans world music on their monthly calendar.

The Texas-born Duarte is a veritable household name on the blues circuit, hailed for sizzling guitar chops that resemble the late Stevie Ray Vaughn. The axe-man has been touring this year in support of his sixteenth full-length “Ain’t Giving Up,” which proves he still has the energy of his earliest releases, even the much-lauded “Texas Sugar/Strat Magik” and its follow-up, “Tailspin Headwhack.”

When it comes to the new record, standout pieces “Can Opener” or “Half As Good As Two” should be enough to get live music addicts to an uncharacteristically early engagement at Old Ironsides. The album’s guitar tones are as greasy and dirty as a Memphis diner’s grill; so it’s no small wonder why Duarte never gravitated to larger capacity theaters. If anything, Sacramentans can just rejoice in one helluva Saturday sermon at a club that barely pushes 200 capacity.

Tickets are $20 advance can be purchased at www.theoldironsides.com. Doors open at 7 p.m. and the early show starts at 7:30 p/m. This is for 21-and-over patrons only. The Old Ironsides is located at 1901 10th Street in downtown Sacramento. It’s bound to get sticky.

(SN&R)

ZZ Top co-headlines special night of rock with Lynyrd Skynyrd in Sacramento on Aug. 11

ZZ Top, the bearded bad boys from Texas, have been consummate road dogs ever since 1969. After 15 full-lengths – the latest, ‘La Fortura,’ produced by Rick Rubin – its original members Billy Gibbons and Frank Beard are still putting on the mileage.

Once a darling of FM radio in the 1970s, ZZ Top achieved success with its seminal hits “Tush,” “Cheap Sunglasses,” “Pearl Necklace” and “La Grange.”

But the touring came with a cost. According to reports, marred by drug addiction and exhaustion that nearly broke up the band, Beard went into rehab after the conclusion of a 98-city ‘Worldwide Texas Tour.’ During this period, late bassist Dusty Hill took a job at Texas airport. Thankfully, the band regrouped after a near two-year hiatus and came out swinging with the Platinum-selling ‘Deguello.’

At that point, more commercial records like ‘Eliminator,’ ‘Afterburner,’ and ‘Recycler’ finally catapulted ZZ Top into being a household name and attracted a whole new cadre of hungry Southern rock fans.

The current tour heading for Sacramento finds the band co-headlining with Lynyrd Skynyrd, who suffered the loss of their last original member, guitarist Gary Rossington, back in March. And while no original players remain, Skynyrd seems to be firing on all cylinders with longtime singer Johnny Van Zant and Blackfoot’s guitarist Rickey Medlocke. Once more, the current touring version of Skynyrd has the blessing of Rossington’s wife.

The upcoming ZZ Top and Lynyrd Skynyrd show at Toyota Amphitheatre on Aug. 11 kicks off with Uncle Cracker. Lawn seats start at just $34.50 while center-stage tickets top out at $298.75 and can be purchased at www.livenation.com. Doors open at 5:30 p.m. and show starts at 6:30 p.m. All ages are welcome. The Toyota Amphitheatre is located at 2677 Forty Mile Road in Wheatland.

(SN&R)

Stone Temple Pilots to bring a temple of sound to the Sacramento Valley Aug. 7

Let’s face it, weekday shows are hard on Sacramentans working a Nine-to-Five; but when one of the most-groundbreaking bands of the 90s comes to town, there’s more than a reason to venture out on even the hottest summer nights.

After suffering the loss of two great vocal talents – Scott Weiland to overdose and Chester Bennington to suicide – it’s no small wonder how the Deleo brothers and drummer Eric Kretz have managed to keep marching on. Yet Stone Temple Pilots is still making the music that means so much to its fans.

What started with the band’s debut, “Core,” on Capitol Records back in 1992 has blossomed into one awe-inspiring rock and roll tour-de-force. And while the Grunge epoch is considered the Pilots’ golden era, it has released four solid records in the 21st Century, including the acoustic milestone “Perdida” three years ago. Once written off as a byproduct of a certain musical moment, the Grammy-winning team of the Deleo brothers have continued to prove themselves with each successive release, creating a distinctive sound that rises above their less memorable rock peers.

On Aug. 7, that legacy will be on display when Stone Temple Pilots take the stage at the Toyota Amphitheare in Wheatland. Music fans say the band’s live shows are still a thing of wonder, especially given the sheer number of radio hits in their setlist, including “Vasoline,” “Interstate Love Song,” “Sex Type Thing” and “Dead and Bloated.” Additionally, the Pilots’ current singer, Jeff Gutt, excels at taking on irreplaceable roles and doing justice to vocal legends.

The Aug. 7 shows includes performances from Smashing Pumpkins and Rival Sons. Lawn seats for the show start at just $20, with other general admission and Pit options ranging up to $169.50. Tickets for this all-ages show can be purchased at www.livenation.com. The Toyota Amphitheare is located at 2677 Forty Mile Road in Wheatland.

(SN&R)

Confusion is on the menu when Ween hits Hard Rock Live in Wheatland July 30

Photograph by Ryan West

Formed in Pennsylvania in 1984 by Gene (Aaron Freeman) and Dean (Mickey Melchiondo), it would take six years for Ween to land a proper record deal with indie label Twin Tone and then release its big debut ‘GodWeenSatan: The Oneness.’ And while Ween played as a duo for its first decade, Gene and Dean would eventually build a full band to complete their twisted vision.

These days, Gene and Dean’s live troupe is rounded out by longtime band members Claude Coleman Jr. on drums, Dave Dreiwitz on bass and Glenn McClelland keyboards.

Perhaps the greatest lure of this largely comedic musical act involves its fans’ inability to describe the music in a single genre. One listen to the band’s varied and confusing catalog finds them dabbling in country, soul, heavy metal, R&B, prog, country, gospel, prog and more.

Ween has been anything but prolific lately – their last record, ‘La Cucaracha,’ was released 16 years ago – but the band has managed to put out 9 full-lengths, as well as a handful of self-produced and released cassettes, 8 extended plays and a number of live and compilation records.

Thirty-one years after signing to the major label Elektra, Ween would ultimately release five astounding albums that were mainly supported by college airplay, word-of-mouth and touring. Now recognized as a cult experience, this collection of records alone is still revered and played regularly by indie blogs and online stations.

The Hard Rock Live’s upcoming special ‘Evening with Ween” starts at 8 p.m. Tickets range from $46 to $61.50 and can be purchased at www.ticketmaster.com. This is an all-age show The Hard Rock Live is located in Wheatland at 3317 Forty Mile Road.

(SN&R)