2015

Think of the children

Seriously, this is kid-friendly.
Seriously, this is kid-friendly.PHOTO BY DIVINO SAN PEDRO

For the better part of 18 years, Runaway Stage Productions has brought area theatergoers some of the finest stage productions that seem as though they were made specifically for your kids. Those who’ve never checked out a show at the historic 24th Street Theatre can redeem themselves this weekend by taking in a showing of Little Shop Of Horrors on the Broadway Stage. This version of the musical about a hungry plant is geared toward the 10-years-old-and-up set, but any kid who can sit still long enough is welcome. Bonus: There’s the chance to meet the characters following the show. 8 p.m. Friday and Saturday; 2 p.m. Sunday, $18-$25. 2791 24th Street, www.runawaystage.com. Through September 13.

(SN&R)

Traffic jammed

McMetal: Thanks to social media and lots of curious (and bored) metalheads, Mac Sabbath drew near 200 or so heads at Harlow’s Restaurant & Nightclub on a Sunday night.

And while heavy metal shows are usually followed by a late-night stop through a random McDonald’s drive-thru, this was likely the first band anyone had seen that combined the two worlds.

The band was fronted by the insane and twisted persona of one Ronald Osbourne and rounded out by a remarkably able costumed band that included Slayer McCheese (guitar), Grimalice (bass), and the Cat Burglar (drums). This show was only rivaled by ones put on by the likes of costumed bands such as Green Jelly and Gwar.

With a stage adorned in red, yellow and white, the group tore through a set of Black Sabbath parodies, including “More Ribs,” “Sweet Beef” and fan favorite “Frying Pan.” It was nauseating, fulfilling and weird all at the same time.

(SN&R)

Eight Gigs: Primitive Man

Sun., Aug. 16, 8 p.m., Starlite Lounge, $10

Talent buyer Chris Lemos recently asked his Facebook friends why many of his amazing shows at Starlite were grossly underattended. The answer was Sacramento was suffering from having too many shows. People don’t have the extra cash they once did and have to pick and choose these days. If that’s true, then I’m making a decision for you. You must see Denver’s Primitive Man, even if you have to pay the rent late or forgo a meal. These lads released a nauseatingly heavy EP earlier this year, Home Is Where The Hatred Is, that simply blows doors off of every like-minded release of the last year. 1517 21st Street, http://primitiveman
doom.bandcamp.com
.

(SN&R)

Eight Gigs: Acrylics

Sun., Aug. 16, 7 p.m., The Colony, $5

Santa Rosa’s Acrylics played with Jello Biafra and the Guantanamo School of Medicine and brought down the house with their raucous brand of sloppy, angst-driven punk. Although they describe themselves as “Not That Shitty East Coast Band,” it’s fairly obvious a proper introduction is needed. If you’re a fan of Victims Family (yes, no apostrophe), Alice Donut, Sonic Youth or the Butthole Surfers in their heyday, this band is not to be missed. If you’re still buzzing from drinking too much coffee on a Sunday afternoon, the only logical play is to continue the party so you’re miserable at your shitty job on Monday. 3512 Stockton Boulevard, www.facebook.com/acrylicsfreekpunk.

(SN&R)

Adios! Buena Vista Social Club out on farewell tour.

The Buena Vista Social Club released their debut, self-titled album in 1997, and introduced America to the spirit of Cuban music. After the album caught fire in the States, a film followed in 1999, along with several solo albums by contributing members, all under the Buena Vista Social Club moniker. The Orquesta Buena Vista Social Club plays the Green Center on
Aug. 16, as part of their Adios Tour.

The original band members hit their prime in the 1940s and ’50s, and though some of these integral musicians, like Compay Segundo, Rubén González and Ibrahim Ferrer, have since passed, the current touring ensemble keeps the tradition of Cuban son music alive and well. Surviving members include trumpeter Manuel “Guajiro” Mirabal, laúd player Barbarito Torres, trombonist and conductor Jesus “Aguaje” Ramos, and the multitalented guitarist Eliades Ochoa alongside newer members. The show also features chanteuse Omara Portuondo, who could sing excerpts of a Volvo car manual and make it sound wonderful.

The Orquesta Buena Vista Social
Club’s Adios Tour takes arrives Sunday,
Aug. 16, at the Green Music Center’s
Weill Hall and lawn, 1801 East Cotati Ave., Rohnert Park. 4pm. $15–$45. 866.955.6040.

(North Bay Bohemian)

Music’s color wheel

Meaty set, not-so-meaty crowd: Weekday shows tend to suffer, and unfortunately, the July 28 Meat Puppets stop at Harlow’s Restaurant & Nightclub followed the trend.

Even with a billing that would most likely fill up a venue of the same size in any other market— Soul Asylum was also on the bill—Sacramento numbers were just enough to keep manager Jim Cornett happy. In other words, Harlow’s just broke even.

Meat Puppets founding members Curt and Cris Kirkwood along with drummer Shandon Sahm and touring guitarist Elmo Sherwood (who is Curt’s son) opened with a wonderful instrumental called “Seal Whales” and slowly coerced everyone from the back and front patios to venture inside.

Singer-guitarist Curt led the band through spirited renditions of the Meat Puppets catalog (with songs dating back to the band’s inception in 1980), including a lengthy version of “Up on the Sun” that showcased the group’s dynamics and ability to stretch out a traditionally five-minute song. Also worthy of note was the inclusion of “Comin’ Down” from Meat Puppets’ iconic 1994 release Too High To Die.

And although Curt hinted that he had some tempo issues with Sahm on a couple of numbers, the band settled in and ultimately delivered an awesome set replete with fan favorites including “The Monkey And The Snake,” and a cover of “Cathy’s Clown” by the Everly Brothers.

Of course, no Meat Puppets show these days is complete without the band’s hit song, “Backwater,” or the wonderful “Lake of Fire” and “Plateau.” For the uninitiated, Curt and Cris were invited by Nirvana to play the latter two songs for the band’s breakthrough MTV Unplugged sessions. During the night’s performance of both, countless people within earshot whispered “Hey, here’s that Nirvana song,” while serious Meat Puppets fans just smiled. If they only knew.

(SN&R)

Eight Gigs: Nocturnal Blood

Sat., Aug. 8, Starlite Lounge, $8

Wretched Earth Productions, otherwise known as Matt Jensen and Rena Smith, are at it again bringing the finest local, regional, national and international underground metal. Ghastly Apparition is the mastermind of Inland Empire’s Nocturnal Blood, who also plays all the instruments himself on Devastated Graves—The Morbid Celebration (2010), his only full-length to date. If you’re into old-school black metal like Beherit, Demoncy or Hellhammer, songs like “Death Calls” and “Chaos Wrath” are quality pieces of furious songwriting. Kiss the bloody goat. 1527 21st Street, www.facebook.com/events/
1600495096867038
.

(SN&R)

Eight Gigs: Abyss

Mon., Aug. 3, Press Club, $8

If you’re not into blast beats or heavy-handed guitar riffs, Abyss would rather have you stay home and jerk off to Netflix. This is the sound of an M-80 being shoved down your pants and exploding at groin level. The band recently released its debut record, Heretical Anatomy, on the awesome 20 Buck Spin label. And, as luck would have it, Abyss will grace Sacramento’s Press Club to lay waste to those who like it fast and dirty. Fans of sloppy grindcore bands like Napalm Death, Impaled and Carcass will find great reward on tunes like “Atavistic Decay” and the album’s highlight, “Chained To Extinction.” Also on the bill are Rat Damage, Sexless and xTom Hanx. 2030 P Street, http://aphoticabyss.blogspot.com.

(SN&R)

30th annual Festa Italiana

Saturday, August 1, through Sunday, August 2

It may seem like an odd cultural juxtaposition but there couldn’t be a better place to hold the Festa Italiana than the magnificent Croatian American Cultural Center. Enjoy wonderful food, let the kids go wild in the piazza and check out myriad offerings at the marketplace. $12, free for children 15 and under; 11 a.m. to 10 p.m. Saturday and 11 a.m. to 7 p.m. Sunday at 3730 Auburn Boulevard, http://festaitalianasacramento.com.