2016

SACRAMENTO FOOD FILM FESTIVAL 2016 PREMIERE • APRIL 7, 2016

In an effort to fill stomachs and minds alike, folks at the Food Literacy Center and Farm to Fork Capital organizations will be presenting an event that foodies in the Sacramento Valley and beyond won’t want to miss. This gathering brings together a bevy of talented chefs including Shannon McElroy of The Federalist Public House, Brock MacDonald of Block Butcher Bar, Tyler Bond of Kru Contemporary Japanese Cuisine, Chris Barnum of Localis and Misty Olsen Green of Hawks Public House (to name just a few). Those interested in learning about different foods will be pleased with the pairing of short films with the already tantalizing cuisine. Early bird tickets went on sale already in mid-February and, as expected, have been moving at a brisk pace. For the price of much less than a fine dining experience, folks will get an educational food experience to die for. This event takes place at Sacramento Turn Verein, located at 3349 J Street. The folks here at Submerge couldn’t think of a better place to spend three hours on a Thursday night. Save us a doggie bag, please. Go to Foodliteracycenter.org/film-festival for tickets. -EJ

(Submerge)

A MASTERPIECE OF COMIC … TIMING AT B STREET THEATRE • THROUGH APRIL 17, 2016

A Masterpiece of Comic … Timing B-Street Theater

Photo by Rudy Meyers

Sacramento’s local treasure, the B Street Theatre, will host a limited run of Robert Caisley’s new play A Masterpiece of Comic … Timing. The story takes place in the early ‘60s in Scottsdale, Arizona, where a producer is trying to hurriedly produce a comedy with the aide of a writer who has more than his fair share or hang-ups. “In this play, I have to say, shamefully, the only purpose of the comedy is to just make people wet their pants. I really want people to laugh,” said Caisley during a recent interview with Capital Public Radio. Caisley, a professor of theatre and head of dramatic writing at the University of Idaho, has written many plays which have been featured in residencies from coast to coast—from New Jersey to Washington state. A Masterpiece of Comic … Timing runs now through April 17, 2016. Showtimes are Tuesdays and Wednesdays at 6:30 p.m.; Thursdays and Fridays at 8 p.m.; Saturdays at 5 and 9 p.m.; and 2 p.m. matinee on Wednesdays and Sundays. Buy tickets now at Bstreettheatre.org. -EJ

(Submerge)

Eight Gigs: globalFEST Live

Thu., Apr. 7, Mondavi Center, 8 p.m., $12.50-$45

GlobalFEST Live brings together music from several different locales for a special night that transcends musical boundary. Dubbed the “Creole Carnival,” this tour features Brazil’s Casuarina, Jamaican export Brushy One String, and the luscious voice of Emeline Michel (who was given her rightful title of the “Queen Of Haitian Song”). Those who’ve never experienced such a cross-pollination of styles will be in for a real treat. Ushers at Mondavi Center should be prepared for lots of dancing in the aisles once the infectious grooves kick in. 1 Shields Avenue in Davis, www.globalfest.org.

(SN&R)

Eight Gigs: Absu

Thu., Apr. 7, Starlite Lounge, 8 p.m., $15

Dallas occult metal outfit Absu started charting its course to hell over 25 years ago and have since set the bar for black and thrash metal. Once relegated to the underground, drummer-singer Proscriptor, a.k.a. Russley Randall Givens (the trio’s only original member) and a glorious cast of characters have become one of the most ferocious headlining acts on the scene. Its latest release, Abzu, is arguably the best yet, though it should only take one listen to “She Cries The Quiet Lake” from the group’s 2001 album Tara to realize there really is no faster act on land or sea. 1517 21st Street, http://absu.bandzoogle.com.

(SN&R)

Steve Hackett: From Genesis to Solo Act

steve_hackett_photo_credit_to_tina_korhonen_1

In October of 1977, Steve Hackett, the lead guitarist for the British progressive-rock act Genesis, announced that he would be leaving the band. But though Hackett was ending one chapter of his life — he’d been a part of the band since 1970 — he was embarking on a new path, as well. Over the last couple of decades, Hackett has been performing as a solo act and has since amassed over 22 albums that feature a mixture of progressive, pop, rock, classical, and experimental fare.

On Hackett’s upcoming tour, he will be playing a mixture of older material from his own catalog and Genesis’, as well as newer material from his 2015 album Wolflight and upcoming projects. “Sometimes, these new songs you write can catch fire with an audience,” he said in a recent interview from London. “It’s a real shot in the dark and is certainly a nice bonus when that happens live.”

Hackett’s wife, Jo Lehmann, helped contribute to the Wolfight and was given songwriting credit on six of the album’s songs. “Jo and I bounce ideas off each other,” he said. “Even if you think you’ve written the entire idea for a song, others can help in the process and I am very into sharing my own songwriting credits.”

In addition to his steady stream of new albums, the 66-year-old has made a living touring the world. “It’s been interesting,” he says. “I just started to play abroad in South America and love to play in Italy. Italy is rich in culture and art and the people who live there are so warm. Strangely enough, Italy and Belgium both also embraced Genesis in a big way, so those are great places to play when we can.”

And though touring, recording, and writing takes up much of his time, Hackett still enjoys his regular vacations. “We like to travel and it’s an absolute necessity for us,” he said. “This year, we’re going to Japan and I’m looking forward to it.”

People often ask Hackett if he’d ever do a show with his former Genesis bandmates, and although that possibility is slim, he hasn’t completely ruled the idea out. “It would be lovely if a reunion ever happened,” he said. “I just don’t know what I can do to make that happen.”

Steve Hackett plays at 8 p.m., Thursday, March 31, at The Warfield. More info here

(SF Weekly)

HEAR: TEDROW AND THE GOOD INTENTIONS EP RELEASE SHOW AT SHINE • APRIL 2, 2016

Photo by Jesse Huro

You are hereby summoned to step out of your traditional comfort zone and check out the sweet sounds of Tedrow and the Good Intentions. Currently, the collective includes Sheri Ingram (violin/vocals), Trevor Ingram (guitar/vocals), Marcus Leonardo (lead vocals/strings), Travis Williams (guitar/banjo), CG Wiley (bass), Mike Ziering (drums) and Melanie Ingram (mandolin/vocals). One listen to “Child’s Play” or “The Gorge” will be more than ample reason to leave the confines of your cozy couch for a night on the town. Said Marcus Leonardo in a recent conversation, “Besides from the first chance to pick up a physical copy of the record, we will have musicians that play on the recording playing with us live for the first time. We will also be playing songs we’ve never played live before and a friend of ours that’s a stand-up comedian will be our announcer for the night.” Fans of The Oh Hellos, Of Monsters and Men, Good Old War and lovely acoustic fare may even have a new favorite band before the night’s end. Opening the show is Westerly and Gillian Underwood and the Lonesome Doves. You can’t do much better around these parts on this particular Saturday night. Cover will be $7 and the show starts at 8 p.m. Shine is located at 1400 E Street, Sacramento. -EJ

(Submerge)

HEAR: LOCAL ELECTRONIC ARTIST GENRE PEAK HOSTS ALBUM RELEASE SHOW AT SHINE • MARCH 26, 2016

Genre Peak, an experimental project spearheaded by electronic percussionist/composer Martin Birke along with a bevy of super talented players are hosting a CD release show for the collective’s new long player, Your Sleekest Engine. If the near eight-minute album opener, “Nightfalls,” doesn’t make your head turn and stop staring blankly into your phone, perhaps the lovely groove of “Metanoia” will do the trick.

“With coordination of record label, European artists, working out schedules and actual writing and recording, the record took about two years” said Martin Birke. “Fans can expect music they don’t hear too often in Sacramento. These are slick electronic-based songs that sound like the record and are more like Massive Attack or Recoil meets Jon Hassell. Call it electronica-organica I suppose with some very European pop sensibilities.”

Visit Genre Peak’s Bandcamp page to hear some truly mind-bending avant-garde ambient music at Genrepeak1.bandcamp.com.

Don’t miss their release show at 8 p.m. on Saturday, March 26 at Shine Cafe, located at 1400 E Street. All ages are welcome and the cover is just $7.

-EJ

(Submerge)

Eight Gigs: Lyle Lovett & Robert Earl Keen

Fri., Mar. 25, 8 p.m., Mondavi Center, $28.50-$72

This wonderful union of two of America’s great songsmiths is bound to make for an awe-inspiring Friday night. Both artists have been quite prolific, with Keen releasing a steady stream of original material and Lovett enjoying several different vocations, including acting, scoring and performing live theater. For those uninitiated, begin with Lovett’s Step Inside This House (1998) and Keen’s Gravitational Forces (2001). If those don’t pull you one step closer to God, perhaps your faith in music can’t be restored. 1 Shields Avenue in Davis, www.lylelovett.com.

(SN&R)

Eight Gigs: Zakir Hussain

Wed., Mar. 30, 7:30 p.m., Harris Center for the Arts, $12-$55

Percussionists and drummers alike can rejoice knowing Zakir Hussain’s tour includes a special stop in Folsom. For those who’ve yet to see a live show, expect a diverse, trance-inducing performance. Hussain will be joined by renowned musicians Anantha Krishnan, Sabir Khan, Navin Sharma and Mannargudi Vasudevan. Hussain, well-known for his work with Ravi Shankar, the late George Harrison, Pharoah Sanders, Charles Lloyd and Mickey Hart (to name but a few), is a master of the tabla and recognized in all parts of the globe for kickstarting the world-music genre. 10 College Parkway in Folsom, www.zakirhussain.com.

(SN&R)

Eight Gigs: San Francisco Symphony: E.T. The Extra Terrestrial

Thu., Mar. 24, Mondavi Center, 8 p.m., $17.50-$85

Upon its 1982 release, Steven Spielberg’s E.T. seemed to be everywhere. Not only did Reese’s Pieces spike in sales, but nearly every kid in the known universe had a stuffed animal or plastic figurine of their favorite space friend. This event pairs the San Francisco Symphony with a screening of the film in what is sure to be one of Mondavi’s highlights of the year. It’ll leave you breathless with childlike wonder from the sheer awesomeness of experiencing the legendary John Williams score live alongside this classic film. 1 Shields Avenue in Davis, www.sfsymphony.org.

(SN&R)