May 2024

Guitar Virtuoso Joe Satriani at LBC

SHRED Guitar legends Joe Satriani (left) and Steve Vai. Photo by Jon Luini

Longtime guitarists and pals Joe Satriani and Steve Vai, never ones to sit idle and rest on their laurels, embarked on their current tour on March 24th. And while their tour ultimately ends in our fair city of Santa Rosa on May 12th, fans can expect even more new music and more touring when time permits. 

Their latest collaboration and single is called “The Sea of Emotion, Pt. 1” and finds the two friends playing on a whole other level than their guitar peers. For those who have yet to hear the collaboration, expect some shredding over the 6-minute-plus song. Audiophiles will remember that both started releasing new music at Relativity Records and would follow one another with a run at both Sony Music and Epic Records. From G3 tours to incessant touring as headliner artists, both guitarists’ trajectory has been upward with no limit in sight. 

Although known as a largely instrumental guitarist, Joe Satriani’s records have also proven him to be an able singer, helping him sell an astounding 10 million copies. Lifetime accolades include (but are not limited to) two Platinum, four Gold-certified records, and a whopping 15 Grammy nominations. And while he has hosted workshops under the G4 Experience banner, Joe has been quite prolific, releasing 19 full-length platters, with “The Elephants of Mars” (2022) being his latest offering.

We caught up with Satriani while crisscrossing the United States during what little downtime he has. 

Bohemian: You’re now 67 years old and still touring like a 20-year-old. How do you do it?

Joe Satriani: Music has always been a welcome source of energy for me. It keeps me going. I’m grateful I can continue to make music and art every single day. I try to challenge myself as much as possible and improve my playing skills daily. I do follow a healthy lifestyle, so that must count for something. 

Bohemian: I purchased ‘Not Of This Earth’ (1986) as a teenager and remember loving the myriad styles on the album. Was that your intent during your early years? 

Joe Satriani: My intent in those early years was the same as now; to be as original as I wanted to be, but not affected by the current trends. I had different ideas about melody and harmony that I needed to share with the world. The opening chords of ‘Not Of This Earth’ go a long way to explain my creative state of mind back then. My engineer and co-producer John Cuniberti shared my desire to make a groundbreaking album that sounded unique. His studio chops were amazing.

Bohemian: You’ve been signed both to Epic and Sony Music and are now part of the earMUSIC family. Does being on a major mean anything today as a largely instrumental guitarist? 

Joe Satriani: Being with Sony from 1995 to 2020 was a great experience, especially in the early years. They had a great national and international staff of super creative people. As the internet flourished, record companies started to scale down in size and their role in manufacturing and distributing music changed. A solo artist like myself wasn’t in need of their new, lean record company structure. It was an amicable split and we are still partners in my catalog from ‘Not OF This Earth’ up through 2020’s ‘Shapeshifting.’ Working with earMUSIC has been fantastic. They have expanded my music’s reach all around the world with their modern approach to artist relations and marketing.

Bohemian: You’re going to tour with Sammy Hagar and Michael Anthony playing vintage Van Halen songs. How are you managing to practice Eddie Van Halen’s parts during a national tour of your own?

Joe Satriani: While on tour, I put in an hour or so each day. It’s a joy and a labor of love. The Van Halen songs are interesting and fun, and the extra time focusing on another artist’s unique technique has had a beneficial effect on my own playing. I’ve been sneaking in some EVH stuff during the jams, getting a good rise out of the audiences for sure.

Bohemian: What do you like more about being a solo artist as opposed to projects like Chickenfoot? 

Joe Satriani: It’s apples and oranges when you get down to it. Both are super fun and artistically satisfying. I love being left alone to create music with no outside influence or distraction, but the band thing is not to be missed if you’re lucky enough to find collaborators you can really click with. I like having both opportunities to explore.

Bohemian: Will we be seeing a follow-up to ‘The Elephants of Mars’ (2022) anytime soon? Any songs already written or demo’d yet? 

Joe Satriani: Steve and I have embarked on a long-awaited collaboration which is a full album of new music. “The Sea of Emotion, Pt. 1” is our first single from the album, and will be followed by subsequent releases as we progress with recording the album. We are looking at a Spring ’25 release date for the finished album followed by a tour.

Bohemian: As an aside, I was your Sony rep for many years based in the Sacramento Valley and ran an in-store at Skip’s Music for the ‘Super Colossal’ record some 18 years ago. Do you ever do these anymore given the state of the industry? 

Joe Satriani: Skip’s Music! Yes, I remember Skip’s. I miss those days of visiting record /music stores and signing LPs, CDs, cassettes, etc., but change is a constant. Those events have been replaced by the VIP Experience at each gig. Steve and I have been doing special Q&A sessions with VIP ticket holders at the concert venues each afternoon and they are really fun. We get to spend some quality time with about a hundred fans answering all their questions and getting some photos taken. It’s a better experience for us and the fans than the crush of the old in-store appearances.

Bohemian: Why not dub the current tour with Steve Vai a G3 extension and add another guitarist as you just did with Eric Johnson? Are you playing even more songs together on this co-headliner? 

Joe Satriani: The Satch/Vai tour is like no other tour Steve and I have ever done. Can you even think of another tour that focused on two different solo guitar players that have been playing together since childhood? Steve was one of my first students when he was just 12 years old, and I just 15. We’ve known each other and worked together ever since we were kids. This tour is a celebration of that long, enduring relationship. It’s truly special for us.

Joe Satriani plays the Luther Burbank Center For The Arts located at 50 Mark West Springs Road in Santa Rosa. Steve Vai co-headlines the night’s festivities. Doors open at 6:30pm and the show starts promptly at 7:30pm, Sunday, May 12. Tickets start at $79 and can be purchased at https://lutherburbankcenter.org. All ages are welcome. There’s certainly no reason you can’t celebrate Mother’s Day with a little guitar calisthenics. So good even your mother would approve. 

(North Bay Bohemian)

Fleet Foxes at Mill Valley Music Fest

SING Robin Pecknold is the principal songwriter and vocalist of Fleet Foxes. Photo by Shervin Lainez

Now in its third year, Marin County’s largest-drawing outdoor music festival returns with a lineup sure to please even the most avid music aficionado.

Curated by the fine folks who hold down the annual Noise Pop festival, Mill Valley Music Fest’s musical docket this year is quite impressive, with performances by Fleet Foxes, Greensky Bluegrass, Thee Sacred Souls, Margo Price, St. Paul & The Broken Bones, Fruit Bats, Rebirth Brass Band, Danielle Ponder, Eric Lindell and Elliott Peck.

Said Michelle Swing, CEO of Noise Pop Industries, “Mill Valley Music Fest is coming back bigger and better than ever in ’24. Major kudos to the team for curating such an impressive and eclectic lineup, one that really stands out from the crowd and attracts music lovers of all kinds to Mill Valley.”

First-time concert-goers can expect myriad food options, craft beer from the immediate and outer-lying areas, a dedicated gaming area, a roller skating rink, art installations and a whole lot more in a setting like no other. Nestled in a redwood tree-surrounded plot, MVMF excels at providing fans with the consummate show experience.

Founding member Robin Pecknold has been steering the ship for indie rock greats Fleet Foxes since 2006. And although nowhere as prolific as his adoring fans would hope for—he and his collective have only released four full-length albums, three extended plays and one live record—their latest record released in late 2020, the simply and aptly dubbed Shore, has been their most enduring.

Recorded before and during the pandemic, it finally saw the light of day when the music world needed it most. In many ways, it signaled Pecknold’s need to control his surroundings when, in fact, everything around him was falling apart.

Standout tracks from their ambitious 15-track record include (but are not limited to) “Can I Believe In You?,” “Sunblind,” the short-but-sweet album opener “Wading in Waist-High Water” and “Maestranza” are filled with sweeping highs and lows. Shore treats its listener to large-scale sweeping melodies with a lovely array of instrumentation giving way to a newer, more emboldened Fleet Foxes experience.

Shore has also received numerous accolades both in the press and on countless independent radio stations all over the U.S. After ending up on myriad 2020 year-end lists, the record was featured in such disparate publications as MojoThe New YorkerUncutUSA TodayPitchforkRolling StoneSPIN, Stereogum and VICE, as well as on NPR. More importantly, the music found new fans at multiple radio formats.

For those fans expecting a repeat of their earlier output, it may be a head-scratcher. Marking their most complete collection of songs to date, it’s a heady and oftentimes depressing affair that always seems to find its own light at the end of the tunnel. Whether or not that is Pecknold’s intent, Shore is an all-inclusive affair that beckons to be enjoyed in its entirety rather than piece-by-piece, and especially so in a live setting.

And for the band’s many fans who saw them with My Morning Jacket at the Greek Theatre in Berkeley back in August 2023, their return is greatly anticipated.

Fleet Foxes play the Mill Valley Music Festival at Friends Field, 180 Camino Alto, Mill Valley, May 11. Tickets start at $145 per day. 2-day passes are $239, and VIP options are available at millvalleymusicfest.com. All ages are welcome.

(Pacific Sun)