March 2002

Wurdulak

Wurdulak is another project from the overworked and underpaid Killjoy, frontman for seminal late-’80s horrorcore outfit Necrophagia. He’s enlisted some excellent players from both obscure and better-known bands, including Iscariah from Immortal on bass, Jehmod from Bloodthorn on drums, and Maniac from Mayhem providing his trademark howls and sepulchral screams. The remaining members—Ihizahg from Perished, Frediablo from Gorelord and Fug from Soul Forsaken—provide a wall of guitars. Wurdulak is mid-tempo black metal akin to Hecate Enthroned, Eibon, Satyricon or Ancient Rites, featuring lyrical contributions by Bard Faust and Maniac. Fans of Onslaught or early Slayer will enjoy “Containment of Inferno” or the epic opener “At One With the Beast.” One listen to Wurdulak’s latest should be enough to elicit a desperate rash of unacceptable behavior. A must-have for Killjoy enthusiasts.

(SN&R)

Stretching out with Frank

Mike Visser of Frank Jordan, of whom we won’t make any jokes about San Francisco city politics.
Mike Visser of Frank Jordan, of whom we won’t make any jokes about San Francisco city politics.

Sacramento’s greatest trio, Frank Jordan, plays what’s being billed as an “extended set” this Friday at the all-ages venue Capitol Garage. The gig marks the release of the band’s triumphant new EP, Enemies, an eight-song CD from Tustin, California-based indie label Cornerstone R.A.S. The disc features three new studio tracks, plus five tracks that were taped at a showcase in Burbank for LiveUnsigned.com. Singer/guitarist Mike Visser has never sounded more focused than he’s sounding these days on the band’s recurring melodies; such new songs as “Redefine” and “No Valid Lie” could easily be mistaken for lost Jeff Buckley outtakes, circa Grace. Drummer Devin Hurley and bassist Matt Ontjes make for an odd pairing, too, with Hurley’s open shuffling beats and Ontjes’ minimalist lead bass lines. Frank Jordan’s ability to fuse dischordant emo stylings with traditional rock sounds should translate into a fine evening of music. Opening the show is the ever-popular ENT, which may or may not have been named for J.R.R. Tolkien’s talking trees. Capitol Garage is located at 1427 L St.; doors open at 8 p.m. The cover charge is rumored to be $5. Call 444-3633 to confirm.

(SN&R)

Neil Halstead

Neil Halstead, the former singer-songwriter-guitarist for Slowdive who still plays with Mojave 3, sounds at ease here. Halstead’s latest album is his first attempt at a solo project. The nine-song album reportedly came about as the result of a failed personal relationship, which culminated in the usual outpouring of new material. While literally sleeping at the studio where Mojave 3 was recording its most recent album, Halstead was able to lay down some tracks that would eventually become Sleeping on Roads. Such numbers as “Two Stones in My Pocket” and “Driving With Bert” feature a beautiful recurring trumpet line, and are some of the best material that Halstead’s written. Aided by Ian McCutcheon, Nick Holton and others, Halstead has succeeded in making a well-balanced, relaxed solo debut.

(SN&R)

Hessian blood spilled in Orangevale

The return of Connecticut’s Hatebreed to Orangevale’s Boardwalk was greatly anticipated by the throngs of hardcore metal kids in attendance. Wednesday’s show, a five-band tour de force featuring Poison the WellBaneWhat Feeds the Fire and Sworn Vengeance, showcased some of the greatest talents in hardcore. Recently signed to Universal Records, Hatebreed—whose last full-length offering on Victory Records landed the band several coveted tours, including Ozzfest, Sepultura and even the mighty Slayer—finally made good on its promise to return to the Sacramento Valley.

Poison the Well was the obvious draw of the night. The Florida-based five piece, touring in support of its latest Trustkill Records release, elicited an overwhelming response from the crowd, which numbered over 300. Fusing melodic vocals with bludgeoning guitar lines and incessant, plodding drum attacks, PTW’s delivery heralded the official arrival of a major force on the hardcore scene.

After only four years and two full-length releases, PTW has seen its audience grow exponentially. Singer Jeffery Moreira led the band through a fast-paced set of new and vintage material. Guitarists Ryan Primack and Derek Miller worked alarmingly well together, as evidenced on tracks from the new album, Tear From the Red. And drummer Chris Hornbrook, whose subtle drum nuances, coupled with Mike Gordilla’s rock-solid bass playing, made for an outstanding rhythm section.

Hatebreed was on tour to support the aptly titled album Perseverance, which hits stores on March 26. After touring solidly for almost four years, Connecticut’s most consistent hardcore act was back to prove who is boss. Although some of Poison the Well’s fans had left, the 200 or so left standing were treated to some of Hatebreed’s finest moments. Even material from its Under The Knife EP and some obscure, early tracks found their way onto the setlist.

Jamey Jasta’s abundant energy led the band through a quick set of original material. Guitarist Lou Richards and bassist Chris Beattie displayed more energy during the brief set than most bands do in their lifetime. After two full-length releases, a slew of vinyl releases and appearances on numerous compilations, the band was rife with anticipation to play music from its new album, which also caused some serious circle pits.

Hatebreed’s latest album, featuring such standout tracks as “Spill the Blood,” should make more than a few critics’ top 10 lists and top the CMJ Hard Rock charts for another couple of weeks. If you’re looking for the soundtrack to your next act of vengeance, you’re gonna have to own this one. Let the blood spill.

(SN&R)

Flying by instruments

Hello, we’re Hella, and we don’t have a publicity photo, so here’s what our new record looks like.
Hello, we’re Hella, and we don’t have a publicity photo, so here’s what our new record looks like.

The stars must be aligning in all the right places for drummer Zach Hill and guitarist Spencer Seim, aka Hella, arguably Sacramento’s most explorative instrumental group. After only a few months on the scene, the duo landed a deal with 5RC, an imprint of the Olympia, WA-based indie label Kill Rock Stars, which in turn recently linked a distribution deal with Touch and Go Records—just in time for Hella’s magnificent debut. Hold Your Horse Is will be out on March 19, but Hella will have copies for sale at its March 9 CD release show at the Capitol Garage. Also on the bill are labelmates Xiu Xiu, Godzik Pink and Slimmoon, which are touring the country together. If you’re looking for a diverse bill with a cross-section of indie fare, you best get yourself down to the Garage at 1427 L St. The show starts at 8 p.m., cover charge is $6, and the show is all ages.

(SN&R)